Kamis, 16 Desember 2010

'MAD MEN' 4.13 - "Tomorrowland"


The fourth season concluded in a fascinating and unexpected way, but I'm not 100% sure what I think of "Tomorrowland", because the changes it means to Don's (Jon Hamm) life could go either way next season. Don getting engaged to Megan (Jessica Paré) was a bewildering move in some ways, although in retrospect there were telltale signs Megan's been making a quiet impression on him (noticing her comfort his daughter, gazing at her applying makeup).

But is marrying Megan a mistake? Yes, most likely. Don had a choice between sweet secretary Megan and confident "working girl" Faye (Cara Buono) here, and he chose the easy option: a brunette Betty with a kinder nature. And, perhaps more importantly, Megan is a natural with his kids (calmly mopping up Sally's spilt milkshake, which Betty would have exploded over), while Faye made it clear she's uncomfortable around children.

Don realized he loved Megan when he took Sally (Kiernan Shipka) and Bobby (Jared S. Gilmore) to California to meet his "real family", which was another important move for him. Its unfortunate he couldn't introduce them to Anna now she's dead (the original intention behind this visit), but he still managed to open up a little about his past, by telling Sally his "nickname" is Dick when she noticed the inscription "Dick + Anna '64" painted on a wall.

Megan was brought along as a replacement nanny -- in light of Betty (January Jones) flying off the handle with Carla (Deborah Lacey) for letting Glen (Marten Weiner) say goodbye to Sally, promptly firing her -- and she performed her duties with so much upbeat skill that Don clearly saw her as a calming influence on his whirlwind year. "You're like Maria von Trapp" he complimented.

The series is still determined to keep Betty as a hate-figure these days, when she was once sympathetic. Firing Carla was bad enough, but refusing to let her say goodbye to Sally and Bobby was plain vindictive. Carla's been the only stable constant in her kid's lives since they were born, so to cruelly end that relationship over a silly error of judgement is impossible to justify. Betty wouldn't even write her Carla letter of recommendation, after years of faultless service, which was extraordinarily rude and disrespectful. I can only hope Don realizes Carla's maltreatment extends this far and rights this wrong.

And is it possible Henry's (Christopher Stanley) beginning to realize just how petty and unreasonable his wife can be? He seemed astonished that Betty could think this was a fair situation. "I wanted a fresh start," was her justification to Henry, which shows her immaturity, as only kids think you can erase the past on a whim. "There is no fresh start. Lives carry on" countered Henry, the wiser of the two.

The reaction to Don's engagement back at the office was eye-opening, to say the least. Roger (John Slattery) spoke for most people with his outburst "who the hell's that?" when told Don's marrying "Miss Calvet", while Peggy (Elisabeth Moss) was peeved that her success securing a new Topaz pantyhose account was overshadowed by Don's celebration, before gossiping with Joan (Christina Hendricks) about the unexpectedness of events. I especially liked Joan's line that Don was "smiling like a fool, like he was the first man who married his secretary." It was a fun character moment in general, as the two opposing female forces of the office bonded in their mutual incredulity. For Peggy, her reaction to Don's engagement was clearly that of an apprentice growing wiser than her mentor, but not having the heart to tell him he's making a mistake because he looks so happy and contented.

Don's current girlfriend Faye was dumped in an awkward phone call, and her tearful remark that Don only enjoys "the beginnings of things" struck a note. Like Betty, Don values fresh starts. Don and Betty even met at their old shared home in Ossining towards the end of this finale, standing as ghosts of a past once shared, Betty congratulating her ex on his engagement, but perhaps quietly regretting they've reached this crossroads, as she handed him the key to their old house. Will Don move in with Megan, or consign this residence to history?

Overall, I thought "Tomorrowland" was an appropriate and surprising finale to season 4, which started with the question "who is Don Draper?" and ended with Megan believing she knows the answer. But she doesn't. And does Don? It seems that Don Draper's been put to one side, with Dick Whitman returning from California -- the more extrovert, happy-go-lucky, optimistic Dick Whitman. But maybe that just Don's impersonation of the innocent man he used to be, or a vague attempt to combine his two identities? The finale ends with Don in bed with his sleeping fiancé, staring out the window at the stars above, wondering if he's made the right choice. I think we know the answer. There'll be no happily ever after yet, just another cycle of lies and deceit.

Asides
  • It was confirmed that Joan didn't go through with her abortion, meaning she'll likely spend season 5 pregnant with Roger's baby, claiming it's her husband Greg's. It still feels inevitable that Greg will die in Vietnam (or is that too obvious?), so maybe in the long-term we're headed towards Roger ditching second wife Jane and making a family with Joan?
  • I doubt Megan's going to remain as Don's secretary now, so I predict she'll be made a copywriter (having already shown an interest in that line of work) and will probably be placed under Peggy's wing. That should be interesting, particularly if Megan proves to be a terrible copywriter and everyone hates how she's only been given this position through nepotism.
WRITERS: Jonathan Igla & Matthew Weiner
DIRECTOR: Matthew Weiner
TRANSMISSION: 8 December 2010, BBC4/HD, 10PM

Rabu, 15 Desember 2010

Karen Gillan is 'Miss Universe' for ShortList magazine


I could pretend this post isn't an excuse to post Karen Gillan's sexy photoshoot for ShortList magazine, but you'd see straight through me. There's not much TV to review this week, so please indulge me. I'm sure plenty of people will appreciate reading the Doctor Who star's interview with said publication, but twice as many will be gawping at the leggy photos. To try and add some professionalism here, the Doctor Who festive special "A Christmas Carol" is set to premiere on Christmas Day (BBC/BBC America). I'm sure you know that already, so onto the photos:




'FRINGE' 3.9 - "Marionette"


It would have made more sense to go on hiatus after last week's episode, which brought the dual-Olivia storyline to an end, rather than squeeze out a regular hour that also covered the aftermath between Olivia (Anna Torv) and Peter (Joshua Jackson), but maybe that's just me. "Marionette" was the weakest episode of season 3, but because the year's been so high-quality, it was still an above-average installment with some excellent character moments.

I really enjoy Fringe's teasers, and this week's episode was a good example; a train commuter unwittingly drugged by a stranger (using a poison-tipped umbrella), collapsing when he returned home, then waking up strapped to a table with his heart removed. Fringe Division investigated, realizing they're after a surgeon who's harvesting various organs from people across the country, using a remarkable drug that can slow the process of cell degradation. But why is this thief targeting people who received a replacement organ from the same donor -- a 17-year-old ballerina called Amanda Walsh, who committed suicide after a bout of depression?

The central storyline was bread-and-butter material for Fringe, but it was certainly a fun twist on Mary Shelley's Frankenstein, once it was revealed that the surgeon has been sourcing Amanda's donated organs to reassemble her body and bring her back to life. The standout moment of the surgeon "reanimating" the poor girl (attaching her to an elaborate pulley-system as a life-sized marionette he could puppeteer), was a brilliantly twisted visual mockery of life. Once Amanda had been revived properly, it was a shame the story didn't embrace the Frankenstein potential of this idea, although having Amanda be a soulless aberration and die shortly after was a more plausible outcome.

I liked how "Marionette" balanced the investigation with the psychological repercussions of Olivia returning to work so soon, knowing that Fauxlivia has been living her life for so many weeks. She now feels like an imposter in her own world (noticing signs of another version of herself having lived in her apartment), and is hurt and upset that Peter didn't realize Fauxlivia was phony -- particularly as even the crazed surgeon was able to tell Amanda wasn't the girl he wanted to resurrect simply by looking into her blank eyes. And the whole issue was exacerbated by Peter's decision to come clean and tell Olivia that his relationship with Fauxlivia had become close and sexual.

Overall, "Marionette" was a good episode that balanced the week's investigation with the serialized elements well, although I'm still uncertain if season 3 will find a way to equal its twin-Olivia storyline. The whole alternative universe structure was excellent, so hopefully it hasn't gone anyway entirely. This episode's denouement appeared to setup a fresh storyline, with The Observer (Michael Cerveris) spying on Walter (John Noble) and Peter from across a street and confirming to a colleague that "he is still alive". Was he referring to Walter, or Peter? Is one of them destined to die, or not expected to have lived to this point, perhaps because of inter-dimensional travel?

Fringe continues on 21 January, moving to a difficult Friday night timeslot in the US, where many people expect it to die. The omen of its comeback episode being entitled "Firefly" (the name of another Fox show that died in this timeslot) is hopefully just a sly in-joke, and Fringe's 5m regular viewers will follow it to Friday and make it a relative success there.

Asides
  • I can't have been alone in noticing the similarities between Dexter's plastic-wrapped kill rooms and the teaser's ad hoc operating theatre. Was that intentional?
  • There was a nice moment between Olivia and Broyles (Lance Reddick), when he was told his alt-Earth counterpart was still married and had a family. The other universe is very much the path not taken.
  • The surgeon was called Roland David Barrett. What is it with Fringe and villains with three names? He joins David Robert Jones and Thomas Jerome Newton.
WRITERS: Monica Owusu-Breen & Alison Schapker
DIRECTOR: Joe Chappelle
TRANSMISSION: 14 December 2010, Sky1/HD, 10PM

Selasa, 14 Desember 2010

'DEXTER' 5.12 - "The Big One"


Or The Big Easy. The finale of season 5 wrapped things up in a mostly predictable way, and the few moments when something unexpected happened was resolved swiftly. It was disappointing more often than stimulating, and left me ambivalent about the show's future. I still like the general premise, love Michael C. Hall, and there's occasionally a seasonal guest star who elevates the iffiest of material, but strict adherence to formula means Dexter's lost that what's-going-to-happen-next? spark that was once so central. There were moments in "The Big One" where I'd have been on the edge of my seat three years ago, but now it's too clear the writers won't rock the boat to make the ride more thrilling, just in case it capsizes...

"You can't save one thing to make up for another, Dexter. It's just not the way the world works." -- Jordan Chase
Continuing from "Hop A Freighter", Lumen (Julia Stiles) has been kidnapped by Jordan (Jonny Lee Miller) and taken to the scene of her gang-rape at a ramshackle summer camp Jordan used to frequent as a boy. This leaves Dexter (Hall) scrambling to find his soul mate, before Jordan assumedly kills Lumen to avenge the demise of his clique, but anticipated obstacles fell into Dex's path: nanny Sonya (Maria Doyle Kennedy) returned from Orlando with his kids and their grandparents for baby Harrison's first birthday, while Liddy's (Peter Weller) dead body was discovered and Dex had no option but to help investigate his own crime scene.

Additionally, Quinn's (Desmond Harrington) involvement with Liddy came to light, after LaGuerta (Lauren Velez) noticed blood on his shoe, and he was taken in for questioning as the prime suspect in Liddy's murder. Meanwhile, Debra (Jennifer Carpenter) caught a lucky break with the search for Jordan and closed in on the fugitive's location, unaware that her brother is now a few steps ahead of her, desperate to find and kill Jordan before he can hurt Lumen...

"The Big One" resolved the various storyline of this year and put a cap on its theme of morality and the grieving process, which was good. The only problem is everything was wrapped up in a mostly uninspiring and occasionally stupid way. Dexter arriving at the summer camp, only to crash his stolen car and get captured by Jordan, felt like a great way to twist the screws, but Jordan's upper hand was short-lived because Dex had somehow managed to keep hold of one of his knives, using it to stab Jordan through the foot and cut through his restraints. Dexter kept a knife about his person as a plan B? Jordan didn't think to search Dexter for weapons before he tied him up? It was all too convenient and made Jordan appear very stupid, which he arguably is.

He was hardly a criminal mastermind, as I don't even understand what Jordan's plan was in this episode. He kidnapped Lumen to draw Dexter into his web, to kill them both as revenge for their dismantling of his "rape club", but that's very short-sighted. Success doesn't get the cops off his back, so it might have been cleverer to use Lumen as leverage over Dexter, agreeing to spare her life if Dexter can sabotage the investigation into the "barrel girls". Even if that's impossible, he could at least have proposed it to Dexter over the phone. Instead, Jordan went into a meltdown, with Jonny Lee Miller apparently channeling Heath Ledger's Joker in the scene where he tried to frighten Lumen.

I don't blame Miller entirely; there was pulp potential in the idea of a wealthy self-help guru masterminding a den of rapist killers without getting his own hands dirty, but the writers never got a firm handle on the idea. I appreciated the moment Jordan tried to talk his way out of being stabbed by Lumen, as the writers suddenly remembered he's supposed to be a skilled orator and pop-psychologist, but more could have been achieved with that moment. It was an abrupt and limp ending for Jordan (who proved to be a white-collar idiot with a silly catchphrase), and the catharsis of Lumen killing someone was handled better in a similar scene with henchman Cole weeks ago.

I had hope that Jordan's quick demise meant that wasn't the episode's zenith, particularly when it almost immediately led to Debra discovering the abandoned summer camp and approaching Jordan's lair, alone, unaware that her brother and his "tenant" are packing away their tools after killing Jordan. The show regularly plays with the idea of Debra discovering Dexter's true nature, as it's something the audience has been teased with from season 1, but it's fast becoming a joke now.

The twist here was that Debra arrived in the basement, walking in on her once hypothetical vigilantes, who were fortuitously obscured behind a plastic sheet. The idea that Debra, affected by the plight of Jordan's thirteenth victim, would decide to bend her own code of conduct and give them an hour to escape, was certainly plausible and in-keeping with Debra's moral changes this year, together with her history as the unwitting girlfriend of a murderer. It just seemed to be a little ridiculous she didn't want to see the vigilantes faces, and too much of a convenient way to avoid Debra discovering the truth. It was one step away from Debra actually witnessing Jordan's death via shadow play.

I understand and accept that letting Debra know her brother's a serial-killer is a bold move you can't reverse, and potentially disastrous given the format of the show, but that was actually avoidable here. Debra could have discovered Lumen's "number thirteen" and has been getting help from her own brother, as that only implicates him with the Jordan Chase situation. If that happened, she'd have even more of a reason to let the vigilantes go, as her brother's one of them, and it would have been fascinating to watch Debra and Dexter debate everything afterwards. Dexter could have essentially told the truth, confined to this season's events, that he agreed to help Lumen kill her rapists because he wanted to atone for his inability to save Rita from another predator. I think it's totally credible Debra would accept what her brother's done (kill a gang of bad guys at the behest of a victim she sympathizes with, too), which would have been a part-reveal to lay a foundation to Dexter's bigger reveal that he's a full-blown serial-killer one day. Or maybe you disagree? The writers certainly do.

The situation with Quinn coming under suspicion of killing Liddy felt rather flat, strangely. However, the denouement reveal that Dexter tested the blood on Quinn's shoe but lied about its origin was an interesting development. It seems that Dexter did it so Debra can perhaps be happy with Quinn, but also to protect Quinn from being jailed for a crime Dex knows he didn’t commit. What's good is that Quinn knows the blood was Liddy's, so he therefore knows Dex covered his back, but does he suspect why? I mean, assuming Quinn doesn't think Dex killed Liddy, then he knows Dex is someone who let a murderer avoid jail, just so he could continue to date his own sister and make her happy. Isn't that MORE suspicious?

Since she learned Dexter's secret, the fate of Lumen was one of season 5's key questions. Usually, people who know Dexter's secret end up dead, but Lumen wasn't a danger to Dex with that information, so it felt likely she'd be killed by Jordan or perhaps Debra. Either that, or escape unharmed, which is exactly what happened. As annoying as it still was, I can accept the fact Lumen's "dark passenger" was exorcised the moment her knife went into Jordan's heart, and that she'd want to put all that behind her now. So she didn't love Dexter, she was just enthralled and comforted by him, otherwise she'd have stayed and become the perfect cover for his vigilantism. No wonder Dex felt a little used, throwing that plate against a kitchen cupboard in a rare outburst of anger.

Overall, season 5 resolved itself in 12 episodes and didn't offer a cliffhanger or notable change to character dynamics. The storylines were self-contained, meaning season 6 can start with a relatively clean sheet, having dealt with Dexter's grief (however inconsistently). There's a chance Quinn will start to question Liddy's inexplicable murder, Deb's morals will probably turn greyer, and the writers will have to find another way to keep Dexter's kids out of the picture. The trouble is, given how season 5 was of blotchy quality and, beyond a few strong ideas (a gang of villains, Lumen), mostly hamstrung by the show's self-made formula, I'm just not that excited by the prospect of a sixth season. Maybe we'll get another John Lithgow-quality villain for Dex to contend with, which could be fun, but there's nothing left to Dexter's premise that really gets my blood pumping beyond (a) Debra realizing her brother's a killer and (b) Dex being exposed, caught, killed, or jailed.

And none of that's likely to happen until Showtime decide to pull the plug on Dexter, giving the writers enough time to build a suitable final season, which isn't going to happen until the ratings dip disastrously or Michael C. Hall makes a judgement call and only agrees to return past his contracted sixth season if the show's given an end-date to work towards. It's a luxury given to very few shows, but one I hope Showtime extends Dexter's way, before a truly abysmal season kills the show dead.

Asides
  • Lumen is the only person who knows Dexter's secret and is alive, so the door's open for her to return. Do you think that's likely, if Julia Stiles is open to it?
  • Why didn't Debra mention the fact Rudy was Dexter's brother? Is this nugget of information she discovered in season 4 being ignored? It felt like the writers avoided it, when it could have been a nice reminder that Debra made that discovery last year.
  • Is Quinn suspicious that Liddy was killed? Can't the cops get access to Liddy or Quinn's calls? Doesn't anyone notice Liddy's surveillance equipment was checked out by "Quinn"? Has anyone searched the vicinity of Liddy's van, because there's a laptop condemning Dexter in the water close by.
WRITERS: Chip Johannessen & Manny Coto
DIRECTOR: Steve Shill
TRANSMISSION: 12 December 2010, Showtime, 9/8c

Senin, 13 Desember 2010

'PEEP SHOW' 7.3 - "Mr Nice"


This third episode was entertaining and well-written, as usual, but didn't offer much unique to comment on. It was penned by regular contributor Simon Blackwell, and his work is indistinguishable from creators Jesse Armstrong and Sam Bain, which is as it should be, but this episode still felt like mid-series padding. It was still very funny, but lacked big development.

Two storylines dominated: Mark (David Mitchell) began to fret that he's incapable of satisfying Dobby (Isy Suttie) sexually, so bought a nine inch dildo nicknamed "Kenneth" to help spice up their love life; and Jez (Robert Webb) continued his quest to get Zahra (Camilla Marie Beeput) into bed, which currently involves pretending he's interested in her hobbies, such as art house cinema and reading books. Unfortunately, Jez has become trapped in his role as Zahra's platonic new pal, and her boyfriend Ben (Danny Babington) is actually pleased Jez is servicing his girlfriend intellectually, leaving him free to (ahem) service her physically.

I'm enjoying the situation with Jez more than I expected to, probably because it's a love-triangle that involves two new characters. Mark tends to bounce between the same supporting characters (even after he got fired from his job and became a waiter), whereas Jez is more likely to draw in new blood. However, so far Zahra appears to be just another naïve yet sophisticated love interest (rather like Big Suze), but suffering from a complete lack of insight when it comes to Jez's obvious idiocy. But I'm intrigued to see what happens when Jez steals Ben's girlfriend -- which he will surely do, as all women fall for his charms/lies sooner or later (although most are revealed to have been manipulating Jez from the beginning.)

The highlight of this episode was Jez having to speed-read Wuthering Heights, as he'd agreed to host Zhara's book club but has only ever read "Mr Nice", and this led to Mark having to talk Jez through the very act of reading prose ("it's like watching a sheep use an iPhone.") What I appreciated about this story was seeing Mark step in to spare Jez's embarrassment at the book club (after Ben criticized Jez's ignorant remark about the book's theme), by cutting Ben down to size with a intelligent rebuttal. Sometimes you forget that Mark and Jez are childhood friends, rather than flatmates who tolerate each other, so it was a welcome return to the camaraderie that somehow felt more central in the earlier years.

Oh, and Super Hans (Matt King) going cold turkey from drugs and consequently developing a rapacious desire to knit was wonderful. As was Mark getting fired for peeing in the restaurant's jalapeno sauce, to avenge a disgruntled customer who earlier sold him a duster for £11.

A funny episode with an amusing scenario for Jez to endure, if lacking huge laughs and big surprises.

WRITER: Simon Blackwell
DIRECTOR: Becky Martin
TRANSMISSION: 10 December 2010, Channel 4/HD, 10PM

TV Picks: 13-19 December 2010 ('100 Greatest Toys', 'Alan Carr: Chatty Man', 'The Apprentice Final', 'Dirk Gently', 'Misfits Christmas Special', 'Pompeii', 'Royal Variety Performance', etc.)


MONDAY 13th
The Savoy (ITV1, 9pm) Documentary series charting the running of the famous luxury hotel.
The River Cottage Christmas Special (Channel 4, 9pm) Festive edition of the culinary series. Stars Hugh Fearnley-Whittingstall.
Alan Carr: Chatty Man (Channel 4, 10pm) Return of the chat show. Guests are The Inbetweeners cast, David Hasselhoff, Colin Farrell & music from Cee Lo Green.

TUESDAY 14th
Pompeii (BBC2, 9pm) Documentary investigating the infamous Italian city, before its destruction when Mount Vesuvius erupted.
The War You Don't See (ITV1, 10.35pm) Investigation into the media's role and influence on modern-day wars and conflicts. Presented by John Pilger.

WEDNESDAY 15th
Dig 1940 (BBC1, 7.30pm) Archaeologist Jules Hudson excavates various German aircraft in France.

THURSDAY 16th
The Royal Variety Performance (BBC1, 8pm) 82nd annual variety show with Prince Charles and the Duchess of Cornwall in attendance. Features Kylie Minogue, Take That, N-Dubz, Russell Watson, Cheryl Cole, Sarah Millican, Jack Whitehall, Micky Flanagan, The Wizard Of Oz, Les Miserables and Britain's Got Talent winners Spellbound. Hosted by Michael McIntyre.
Dirk Gently (BBC4, 9pm) Comedy-drama adapted from author Douglas Adams's novel about a detective who believes in the interconnectedness of all things. Stars Stephen Mangan, Darren Boyd & Helen Baxendale.
Jamie's Christmas Lock In (Channel 4, 10pm) Seasonal special, with the chef hosting an evening of entertainment. Featuring guests Jonathan Ross & Charlotte Church.
The Apprentice: Why I Fired Them (BBC1, 10.35pm) Special episode where Lord Sugar reflects on why he fired the unsuccessful candidates from this year's series, before Sunday's final.

FRIDAY 17th
The Sun Military Awards (ITV1, 9pm) Awards ceremony, honouring members of the armed forces. Featuring Stephen Fry, David Beckham, Jeremy Clarkson & Ross Kemp. Presented by Phillip Schofield & Amanda Holden.

SATURDAY 18th
Nothing.

SUNDAY 19th
100 Greatest Toys (Channel 4, 6pm) Three-hour countdown of the nation's favourite toys, as voted for on the Channel 4 website. Hosted by Jonathan Ross.
Noel's Christmas Presents (Sky1, 6pm) First in the annual Christmas tradition, where Noel Edmonds rewards unsuspecting members of the public with gifts money can't buy.
Sports Personality Of The Year (BBC1, 7pm) Annual ceremony.
The Hairy Bikers Christmas Special (BBC2, 8pm) Yuletide special of the cooking series.
The Apprentice: The Final (BBC1, 9pm) Concluding part of the business gameshow, where Lord Sugar chooses his sixth apprentice.
The Many Faces Of Richard Wilson (BBC2, 9pm) Documentary on the actor and his impressive career in British television.
Little Crackers (Sky1, 9pm) Festive series where celebrities share their Christmas memories. Featuring Dawn French and Chris O'Dowd.
Misfits: Christmas Special (E4, 10pm) Seasonal special of the teen superhero drama.

Minggu, 12 Desember 2010

'NO ORDINARY FAMILY' 1.10 – "No Ordinary Sidekick"


ABC's family superhero drama heads into winter hiatus with an episode providing the requisite surprises you expect from a mid-season finale. "No Ordinary Sidekick" was another enjoyable episode; one that proves this series is improving steadily as the cast/crew get more comfortable with the world they're creating. It's still not at the level where there's enough drama and excitement to keep you mentally engaged between episodes, but I'm having a reliable amount of fun watching every week.

Given the title, there was an obvious emphasis on the show's two sidekicks: George (Romany Malco) was erroneously credited with preventing a robbery, after arriving at the scene of a crime shortly after Jim (Michael Chiklis) had caught the robbers, resulting in him becoming a local hero, which understandably frustrated Jim; and Katie (Autumn Reeser) fell out with Stephanie (Julie Benz) over her apprehension toward boyfriend Will (Josh Stewart), shortly after JJ (Jimmy Bennett) and Daphne (Kay Panabaker) confided in their mother about their suspicions. Both storylines eventually led to both sidekicks quitting their roles, as tensions became unbearable.

I was glad this episode restored some common sense to how the Will storyline was unfolding, even if it's taken JJ far too long to note the coincidence that Katie's boyfriend goes by the same name as the online bachelor he created to boost Katie's self-confidence. And when Katie questioned Will about Stephanie's concerns, he even managed to improvise a reasonable excuse for his actions, by pretending he had sympathized with her being stood up on a date and slipped into the role. This puts everything on a firmer footing, however belatedly, which is good to see.

JJ had a fun subplot, as it became clear his super-intelligence is affected by his libido, having met an attractive chessmaster (Katelyn Tarver) and realizing his ability short-circuits in her presence. He soon found a way to combat the issue, by distracting his own mind with tedious baseball stats he'd memorized, so I'm not sure if this will become a big problem for JJ in the future. To defeat super-genius JJ, super-villains just need to employ Playboy Bunnies as their minions? There wasn't really much to JJ's story beyond that, as it was really just a fun distraction.

More pertinent to the mytharc was the unexpected progression with the Dr Chiles (Reggie Lee) storyline, as he's aware Dr King's (Stephen Collins) been working on a strange serum, and managed to get Stephanie on-side by giving her a stolen sample of King's drug to analyze. As Chiles is becoming a thorn in Dr King's side, Will (using his new alias of Joshua) was tasked to eliminate the irritant, by forcing Chiles to commit suicide with a drug overdose, using his "puppetting" ability.

It also became clearer that Joshua's only loyal to King because he desperately wants to keep the super-powers King can bestow him with. I'm positive this means there's a good person beneath the surface, ready to be redeemed by sweet Katie later in the season. It's just a matter of time, right? King and Joshua's interest in the Powell 's was also made more overt: the family don't need to be given regular injections of King's serum to maintain their abilities, which is an advantage Joshua is particularly jealous of.

"No Ordinary Sidekick" packed in some eye-catching sequences, too; from Jim stopping a "money train" by digging his heels into the track and becoming its front brake, to a sequence (very reminiscent of Sylar/Clair confrontations in Heroes) when Joshua realized Daphne's managed to break through his mental firewall and knows he killed Dr Chiles. This prompted him to erase her memories of the past three months, effectively resetting her character to the status of the pilot. The Daphne/Joshua altercation was especially good because Panabaker's reactions to Joshua's taunts (as he sent furniture skidding around the house to scare her) felt very realistic, and Daphne's consequent amnesia will hopefully tip-off Jim and Stephanie that danger's lurking close by. Put it this way -- I'll be sorely disappointed if the following episodes don't involve Stephanie suspecting Joshua and trying to investigate his background, despite whatever assurances Katie gives her that he's innocent.

Overall, there's still much to enjoy about No Ordinary Family, if you're in the right mindset. It's definitely one of those shows you feel getting better as its confidence grows every week, and while it's cumulatively rather predictable and middle-of-the-road, I find the performances and premise of the show appealing and fun.

Aside
  • I appreciated the fact Jim is starting to be taken seriously at the precinct now, as Detective Cordero (Guillermo Diaz) discovered Jim was the guy who saved his life after his recent car accident. This will hopefully cut down on the digs Jim has to take on the chin, and perhaps even lead to his hunches being taken more seriously. It remains to be seen if No Ordinary Family will keep Jim as a sketch artist. On the positive side, Jim's time is freed up to be a vigilante while technically on duty, without arousing too much suspicion; but it also means it's tough for him to get really hands-on with the cop show element of this series. Maybe Cordero will be taken into Jim and George's confidence soon?
WRITERS: Zack Estrin & Jon Harmon Feldman
DIRECTOR: Wendey Stanzler
TRANSMISSION: 7 December 2010, ABC, 9/8c