Tampilkan postingan dengan label Top... Lists. Tampilkan semua postingan
Tampilkan postingan dengan label Top... Lists. Tampilkan semua postingan

Jumat, 04 Maret 2011

10 Ways To Improve '10 O'Clock Live'


Channel 4's Thursday night satirical comedy 10 O'Clock Live is struggling in the ratings. Overhyped as the UK's answer to The Daily Show, the show debuted to widespread disapproval and negative press, and the general feeling hasn't changed. I don't think it's that bad, but it's definitely less impressive than you'd expect from the starry lineup. So what can be done to reverse its fortunes? Here's a 10-step guide to getting the show on-track:

1. Reschedule

Given the restrictive title, there are only seven timeslots available for 10 O'Clock Live (well, 14 if they dare put it on in daytime), but a move from Thursdays to Fridays at 10pm feels like a great idea. It's currently competing with BBC1's Question Time, assumedly because it's designed to be an alternative to that political debate series. But that's not clever counter-programming, it's a clash of audience interest.

2. Lose Jimmy Carr

It's not that Carr's the worst presenter or doing a bad job, but four presenters feels like overkill. Three would be preferable, and you can't have three men outside of Top Gear, so it would be less damaging to the show if they let Carr go and kept David Mitchell and Charlie Brooker. Carr's never felt like a political comedian, so his involvement with 10OCL feels like it's denying the show of a better political humorist.

3. Replace Lauren Laverne

As a man, if you criticize Lauren Laverne you risk being called a chauvinist, but my dislike has nothing to do with her gender. I've liked her in other things I've seen, but she's just not very good on this show and doesn't suit it. That's why she's always palmed off with the pre-recorded VT's, the chairperson's role in debates, and throwing to the commercial breaks. Laverne also has the air of someone doing an ironic impression of a "cool, opinionated presenter" while furiously glancing at her notes.

4. Shorten the runtime

An hour is too long for this show, in its current format -- although if it was packed with hilarity I wouldn't complain. The first 25-minutes is usually the strongest (Carr's opening standup, Brooker's VT-assisted fury, the Mitchell-led debate), so if it ended it there it wouldn't be so bad! Instead, it comes back from that mid-hour break and the pace flags considerably.

5. Less liberal bias

All of the presenters are unashamedly liberal-minded, so the agenda of the show is weighted that way. Imagine how refreshing it would be if half the presenters were slightly more right-wing in their views, to inspire arguments and break the cozy atmosphere. That could set the cat amongst the pigeons and create much-needed tension. Right now, Brooker sits on the edge of their roundtable looking extremely bored, face perched on his palm.

6. Better guests

They won't lure A-list politicians onto 10OCL until it's an established hit that's perceived as being good PR in the political game (as an appearance on Have I Got News For You has become*), but it would really help to get a few big-names involved. Alastair Campbell was a decent booking in episode 2, but he's yesterday's news. You're not going to get Prime Minister David Cameron in for a chat anytime soon, but surely a few recognizable, key figures from the incumbent government would be possible?

*Boris Johnson became Mayor of London off the back of a few funny appearances on HIGNFY as guest-host.

7. Involve the audience

There's a studio audience of young adults watching the show go out live every week, but they just sit there and chuckle at the gags. Why not ask them some questions? The presenters are all good at engaging with "ordinary people", so let them! Even some kind of phone-in would be great, rather than rely on Twitter and text messages scrolling along the bottom of the screen.

8. New faces

If you could hit a redo button, it would be great to see four newcomers presenting 10OCL, instead of the famous four we have. They can't help bringing baggage and expectations to the project. Imagine if there were four new faces presenting it; it would be immediately less predictable and Channel 4 may have unearthed the next Ricky Gervais, Sacha Baron Cohen, or... um, Iain Lee. If 10OCL returns for a second series (and that's a big if), maybe they'll consider an overhaul with new faces?

9. Pre-record

A tricky one, given the word LIVE is in the title, but what value does being live bring to the table? The chance to see the presenters fluff their lines? Mild spontaneity? Okay, so being live means they can crack jokes about things that have happened moments ago, but you wouldn't lose much if they recorded it a few hours beforehand. There's never been a campaign to get Have I Got News For You broadcast live, has there. 10 O'Clock Almost Live?

10. Let it breathe

Considering they have a whole hour to fill, it feels oddly structured and paced. Just when you're in the middle of a fairly interesting and entertaining debate with Mitchell and guests, he cuts someone off mid-rant and we're sent spinning to the other side of the studio to listen to Charlie Brooker vent his spleen. Less features, more time dedicated to those they have?

So there you have it! I'm not saying all of that must be obeyed, or even that each suggestion would definitely work, but I think most are worth some consideration. A few could even be trialled a few weeks, to see if they help tighten things.

Do you have any suggestions for ways to improve 10 O'Clock Live?

Jumat, 31 Desember 2010

Top 10 Pirated TV Shows of 2010


TorrentFreak have released a list of the 10 most downloaded TV shows of 2010. You can read their list below:

1. Lost – 5.9m (downloads)
2. Heroes – 5.4m
3. Dexter – 3.8m
4. The Big Bang Theory – 3.2m
5. House – 2.6m
6. How I Met Your Mother – 2.4m
7. 24 – 2.2m
8. True Blood – 1.9m
9. Glee – 1.7m
10. Family Guy – 1.6m
I just can't imagine people being so desperate to watch House, The Big Bang Theory, Family Guy or How I Met Your Mother that they'd turn to bittorrent. But clearly millions of people do! From a UK perspective, Dexter and True Blood both take 6-12 months to reach these shores (annoyingly), so I'm not surprised they're popular online if other countries have similar waits.

As always, there's one surefire way non-US broadcasters can stop their native audiences downloading shows: shorten the gap after US transmissions. In the UK, Sky continue to be quite good and are even making a point of advertising US drama as arriving "days after the States" now, but let's see if they keep it up.

It'll be interesting to see how quickly Sky Atlantic shows Mad Men and Boardwalk Empire in 2011, as they're a brand new channel designed to entice fans of high-quality US drama. Their audience are likely to be sophisticated young adults who are fully capable of using bittorrent if they're expected to wait a month or more, so they'll need to ensure quick UK premieres.

Rabu, 29 Desember 2010

My Full-Star TV Reviews of 2010


I'm notorious for rarely giving out "full star" ratings for episodes of the TV shows I watch. I've reviewed approximately 250 TV episodes this year, but only 11 episodes achieved top marks from me. Am I miserly or too difficult to please? Quite possibly. But at least you know the shows that manage to get maximum stars are worth watching, even if they're often highly rated because they mark the culmination of a season/series (and consequently a long storyline.) Below are excerpts from my "full star" reviews of 2010, assembled for your reading pleasure in ascending order of greatness:


'24', 8.23-8.24 – "2:00PM – 4:00PM"

It definitely felt like the end of an era watching a bloodied Jack limp off for his movie adventures. 24's kept the quality surprisingly high for a TV series with such a rigid format, kept on air three years past its prime. Except for the deplorable Day 6, the show never gave us a season of television I didn't enjoy on some level, and the early years were genuine weekly thrills that I'll always have strong memories of. Some of the events and situations 24 presented us with seem passé these days (remember when a terrorist nuke being detonated in a remote desert felt raw and shocking?), but that's a testament to how much the series changed the game and upped the ante for thrillers everywhere. Continue reading...

'CHUCK' 3.18-3.19 – "Chuck Versus The Subway"
& "Chuck Versus The Ring: Part II"

If there's one thing that impresses me about Chuck it's the show's ability to pull off consistently excellent season finales that manage to freshen, evolve and incrementally mature the series. "Chuck Versus The Subway" and "Chuck Versus The Ring: Part II" were two of the best episodes Chuck has produced, which is remarkable considering we've just finished the third season of a show that felt in danger of early suffocation... Continue reading...

'SHERLOCK' 1.3 – "The Great Game"

The episode was stuffed with incidents and the show's trademark deductions, making this episode feel like we essentially got half-a-dozen mini-adventures in one feature-length shebang. The addition of a ticking clock element elicited extra tension, as Sherlock raced around London trying to solve his opponent's mental obstacle course, although perhaps more could have been done to emphasize the against-the-clock element. Occasionally superimposing numbers to show the remaining hours left to crack each mystery worked fine, but I couldn't help feeling a constant ticking clock would have kept the anxiety simmering better. Continue reading...

'DOCTOR WHO' 5.12 – "The Pandorica Opens"

The return of Steven Moffat to guide series 5 to its conclusion worked very well in terms of untangling this year's deeper puzzle, and certainly did a nifty job of retroactively making previous episodes feel more relevant and interesting, with regards to the overall arc. "The Pandorica Opens" delivered an abundance of action, adventure, chills, thrills, explanations, and ridiculously big stakes that actually made sense. It wasn't perfect, but it came damned close, and was certainly an impressive hour of ambitious British sci-fi action that left you desperate to see next week's conclusion. Continue reading...

'BOARDWALK EMPIRE' 1.1 – "Boardwalk Empire"

This confluence of writer Terence Winter (The Sopranos) and director Martin Scorsese (Goodfellas) is as prosperous, satisfying, and exciting as you could hope. HBO’s crime epic Boardwalk Empire begins with a fascinating and beautifully-crafted 75-minute drama that introduces Atlantic City (circa 1920), the coastal town’s feted treasurer Enoch "Nucky" Thompson, and people whose lives will be changed by the onset of Prohibition... Continue reading...

'BREAKING BAD' 3.13 – "Full Measure"

My overriding feeling is that this was Breaking Bad's finest season, and easily the best drama on television so far this year. The performance are sublime (it was great to see actors other than Cranston come to the fore this year, too), the writers are capable of squeezing tension from the most unlikely of places, and the direction has been exceptional (the Cousins two-pronged attack on Hank's car, Rian Johnson's creative "Fly"). There's always room for improvement, but this episode set the stage for a fourth season of significant change. Walt's professional relationship with Gus is going to be strained (to put it mildly!), so he'll surely have to find a way to appease Gus, earn back his trust, then kill him at some point. The show appears to be headed in the direction of Walt and Jesse becoming the city's drug barons (battle-hardened by the events of this season), and I'm eager to see exactly how the writers get us there... Continue reading...

'BREAKING BAD' 3.12 – "Half Measures"

What can you say? "Half Measures" was another incredible episode; a beautifully simple storyline that got under the skin of Jesse and provoked some interesting decisions and emotions from Walt, too. Walt's been drifting through this season slightly, sucked into Gus's world to be his meth-making monkey, despite knowing his percentage of the product Gus sells is grossly unfair. But there are now signs of a resurgence. Of Walt taking control once again. Skyler is showing a few signs of compromise at home, he may soon have a money laundering business in the Car Wash that's comparable to Gus's fast-food restaurant, and maybe if Gus was out of the picture he could get his hands on the super-lab to use for himself? Is that where all this is heading? Continue reading...

'MAD MEN' 4.7 – "The Suitcase"

Overall, "The Suitcase" definitely ranks as one of Mad Men's best hours; packed full of funny, perceptive and emotional moments. It also marks a clear turning point in the Don/Peggy relationship, symbolized in the final scene when Don tells Peggy she can leave his office door open. He's no longer a closed book to her. Continue reading...

'MAD MEN' 3.13 – "Shut The Door. Have A Seat"

A momentous, emotive and gripping end to what's been a strong third season that only suffered from a relatively slack start and infrequent use of Don. Otherwise, this year's been just as mesmerizing and poignant as always, with some very strong episodes in the latter half especially. "Shut The Door. Have A Seat" saw the razing of the two pillars in Don's life: his marriage and his career, and only one was able to rise from the ashes... Continue reading...

'FRINGE' 2.18 – "White Tulip"

The best episodes of Fringe splice a compelling sci-fi idea to relatable human emotions; a balance the show doesn't always succeed at. But that's why the recent "Peter" was so memorable, with its focus on Walter's grief and guilt over his son's origins bolstering a simplistic, pulp sci-fi storyline. It's also why so much of Olivia and Peter's storylines never seem to ignite. Olivia hasn't had a believable connection to anyone since her fiance died in season 1 (recently she's just been taking advice from a bowling alley mystic), and Peter's main function on the show is to interpret Walter's technobabble and spew snarky rejoinders. But "White Tulip" got everything just right, with a clever and stirring hour of entertainment that ranks as one of my favourite Fringe's... Continue reading...

'BREAKING BAD' 3.7 – "One Minute"

There are no superlatives to do justice to those final moments, and everything prior to that was rock solid character building. This was the kind of episode that reminds me why I love the long-form storytelling of television, where spending so much time with characters results in pay-off that can strikes a hammer to your heart. You're feeling every sting of pain and anguish these characters are going through now, and it's simply stunning to watch. If you're not watching Breaking Bad, you're missing the best thing on television. Continue reading...

Rabu, 22 Desember 2010

OWF: Top 10 TV Shows of 2010


Over at Obsessed With Film, I've posted a list of my Top 10 Television Shows of 2010. You can probably tell what they are from the photo above, but can you guess the order? Click here for the list, and why not leave a comment that includes your own Top 10?

Rabu, 06 Oktober 2010

OWF: Top 10 Horror Movies


Obsessed With Film have a "31 Days Of Horror" season this October, in the runup to Halloween. As part of the themed reviews, interviews and articles they have planned all month, I've compiled a list of my 10 favourite horror movies. And it's now online to be read! What are you waiting for? I'd love to read your comments on my choices.